Romantic Florence
Gianni Schichi is the name of a Florentine that we know from the 30th cantica of Hell in Dante’s ‘Comedy’, which only later received the adjective of ‘Divine’ as a way of highlighting its many virtues. Nothing or close to nothing do we know about him except that, according to the poet, he ended up in Hell for boasting about a legendary ability to take over personalities.

In some way or another, in Florence, Dante and Schichi’s native city, it’s hard not to feel possessed by the spirit of both, made to shudder by the invincible lyrical impulse of hermetic-gnostic nature that you can breathe in every corner of the City of the Arno. That comes, paradoxically, through the cult to the more physical side of the matter and the unconscious desire to overcome the limits of the mask that we wear every day to become other rich beings in becoming, adventure and possibilities.
Perhaps due to this mercurial character embodied by Gianni Schichi, which is the perfect reminder of the essentially polyhedral character of our nature, it only comes up in important works of art, such as Dante’s poem or the small opera of Puccini that, part of a triptych whose every component serves as an allegory of the Comedy, carries its name.
Precisely, ‘Gianni Schichi’ by Puccini contains what’s probably one of the most romantic songs of all time, ‘O mio babbino caro‘, in which the character of Lauretta threatens to throw herself in the river from the Ponte Vecchio if her love is in vain. It’s not surprising that this type of song mentions this beautiful bridge, famous for its jewels, gold and crafts that are sold, and for offering a unique view of the sunsets on the Arno.
Also romantic in virtue of the legend is the Piazza de San Lorenzo, in whose market they say that Dante saw Beatrice for the first time when he was nine years old, falling in love with her at first sight forever more, an occurrence without which the history of western culture might have been considerably different and we wouldn’t now have the ‘Divine Comedy’ or ‘Gianni Schichi’.
However, there would still be beautiful and evocative places such as the Boboli Gardens (http://www.museumsinflorence.com/musei/boboli_garden.html), where it would be hard not to feel that one has been admitted into an enchanted world. An extension of the admirable Palazzo Pitti, perhaps the best example of civil renaissance architecture, it offers one of the best views of Florence among cared-for winding paths, seductive fountains, among which Neptune’s Fountain stands out, slender cypress trees, heady flowers, formidable statues and even an amphitheatre and an artificial island surrounded by a lake.
Finally, the purists of the romantic impulse won’t be able to resist visiting the gothic church of the Santa Croce, inside of which, facing the overwhelming artistic treasures, Stendhal suffered, in 1817, the unsettling vertigo that characterizes the syndrome that carries his name and to which everyone who rents apartments in Florence are exposed to.




Translated by: Hans






